Women's Fate and Aesthetic Pursuit in Raise the Red Lantern
DOI:
https://doi.org/10.54691/bcpssh.v20i.2172Keywords:
Raise the Red Lantern; Women; Feudal Marriage; China; Film Study.Abstract
There are thousands of years of feudal marriage in Chinese patriarchal society, which means ancient Chinese women’s marriages were decided by the male family members instead of by themselves, and a man was able to marry a wife and several concubines. Lots of young women born into low-income families had to get married to wealthy older men to be concubines. Still, the life of being a concubine was tough, not only physically but also mentally hurt. The film Raise the Red Lantern describes a tragic story of a woman who turns from a college student into a psychotic abandoned concubine in the feudal Chinese patriarchal society, which reflects the detriment of the square-toed ideas and the yoke for the women in a highly gender-unequal marriage, especially in concubinage.
Downloads
References
Evans, Sara M. Women’s Liberation: Seeing the Revolution Clearly - Boston University. https:// www. bu. edu/wgs/files/2015/04/FS41-1_Sara_M._Evans-1.pdf.
Nurfaidah, Resti. "Latar Sebagai Simbol Ketidakadilan Gender dalam Raise the Red Lantern." Madah: Jurnal Bahasa dan Sastra 7.1 (2016): 47-62.
Nichols, Bill. Engaging cinema: An introduction to film studies. WW Norton & Company, 2010.
Zhao, Gracie Ming. "Trafficking of women for marriage in China: Policy and practice." Criminal Justice 3.1 (2003): 83-102.
Moon, Blake. "Sexual Politics and the Femme Fatale in Su Tong’s Raise the Red Lantern." The Sigma Tau Delta (2016): 48.
Liu, Fangchi. "Analysis of the Cultural Symbol Behind Raising the Red Lantern." 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Atlantis Press, 2021.
Wollstonecraft, Mary. “Chapter 4: The State of Degradation to Which Woman Is Reduced by Various Causes.” A Vindication of the Rights of Woman, with Strictures on Political and Moral Subjects, London, 1792, pp. 36–52.
Mulvey, Laura. Visual Pleasure and Narrative Cinema. 1999.
Wei, Chenlin. "The Three “Thingness Worlds” in the Films of Zhang Yimou-Using Raise the Red Lantern as an Example."
Zhang, Xiaoyan. "The Cultural Transmission of Raise the Red Lantern: The Representation of Symbolism." 2021 International Conference on Public Art and Human Development (ICPAHD 2021). Atlantis Press, 2022.
Sutton, Donald S. "Ritual, history, and the films of Zhang Yimou." East-West Film Journal 8.2 (1994): 31-46.
Yimou, Zhang. "The “Confusion Ethics” of Raise the Red Lantern." Book Reviews (2022).
Hsiao, Li-ling. "Dancing the Red Lantern: Zhang Yimou’s Fusion of Western Ballet and Peking Opera." Southeast Review of (2010): 129.
McFarlane, Brian. "Women Beware Women: Zhang Yimou's' Raise the Red Lantern'." Screen Education 42 (2006): 111-115.
Loeb, Jacqueline. "Dissonance Rising: Subversive Sound in Zhang Yimou's Raise the Red Lantern." Film-Philosophy 15.1 (2011): 204-219.