The combination and development of Japanese Zen thinking and Chinese design

Authors

  • Jiawei Sun

DOI:

https://doi.org/10.54691/bcpssh.v20i.2185

Keywords:

Cultural design; Thinking; Vision.

Abstract

The first batch of Japanese designers systematically studied the western design theory system, carried out imitation and improvement, and then slowly integrated into the characteristics of their own culture, thus forming a unique Japanese design aesthetics, which also makes Japan in the leading position in the world design.In the cultural contrast between China and Japan, learn how to use and carry forward the cultural factors in creative design, analyze its advantages and our shortcomings, learn from the advanced case of Japan to take its essence, go to the dross, and borrow the Japanese design as the basis, improve the design level of domestic designers.

References

Chen Jinwei. Zen Aesthetic Connotation and Zen Design [J]. Chinese Art,2021(05):100-106.[I] Prose A Hundred Schools of Thought (Theory). 2021(10).

Yao Yu. Rethinking of Japanese Art and Design in recent years [J]. Oriental Collection,2021(19):32-34.

Liu Yi, Zhang Jie. A Preliminary Study on Zen Aesthetics in Japanese Architectural Design -- Taking Kengo Kuma's Design Works as an example [J]. R, 2021 (25) : 92-93.

Li Zihan. Application of traditional Chinese elements in visual Communication design [J]. Art Appreciation,2021(33):78-80.

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Published

2022-10-18

How to Cite

Sun, J. (2022). The combination and development of Japanese Zen thinking and Chinese design. BCP Social Sciences & Humanities, 20, 165–170. https://doi.org/10.54691/bcpssh.v20i.2185