The Study on the Aesthetic Style of Inner Mongolia Films from the Perspective of Geo-cultural

Xiangdong Zhou

doi:10.54691/fhss.v2i5.702

Authors

Xiangdong Zhou

DOI:

https://doi.org/10.54691/fhss.v2i5.702

Keywords:

Inner Mongolia Films; Inner Mongolia Culture; Regional Film; Ethnic Film.

Abstract

In a history spanning more than 70 years, Inner Mongolian films have long formed a unique aesthetic style and artistic form compared to other regional films. Therefore, it is particularly important to refer to Inner Mongolian films as "locality". The naming of Inner Mongolia films should highlight the "locality", that is, the concept must be distinguished from the perspective of nationality and geography. Natural space, social imagination space, and time space have jointly constructed the spatial landscape of Inner Mongolia films, while the northern nomadic culture and the multicultural complex of the local area outside the Great Wall construct the regional cultural mirror image of Inner Mongolia films. It can be said that the image system and narrative mechanism of spatial landscape and cultural mirroring image should become the basic principle and aesthetic standpoint of the semantic naming of "Inner Mongolia Films".

Downloads

Download data is not yet available.

References

Cui Guoqi, Jiang Jun. On the Creative Transformation of Inner Mongolian Films--Speaking from the Phenomenon of Young Directors in Inner Mongolia[J]. Film Literature, 2019(22): 64-68.

Shao Peiren. The charm of media Shao Peiren expounding on the future of communication [M]. Beijing: Capital University of Economics and Business Press. 2014: 114.

Wang Enyong, Zhao Rong, Zhang Xiaolin, etc., Human Geography [M]. Beijing: Higher Education Press. 2000: 43.

Shao Peiren, Zhou Ying. Hualywood from the perspective of media geography[M]. Beijing: Capital University of Economics and Business Press. 2018: 16.

(United States) Edward W. Soja; Translated by Wang Wenbin. Postmodern geography reiterating the space in critical social theory [M]. Beijing: The Commercial Press. 2004: 120-121.

Cui Haiting, Wang Jingai, Zhu Zongyuan. Land Use and Landscape Change Central Inner Mongolia Volume [M]. Beijing: China Environmental Science Press. 2016: 94.

Huang Baofu, Fu Li. Regions, religions, and ethnic groups: the cultural mirror image of Tibetan films[J]. Journal of Zhejiang Normal University (Social Science Edition), 2013, 38(05): 114-118.

Wang Guiqing. A Smile Goodbye, Pursuit, and Transcendence--Interpretation of Degna's Film "A Smile Goodbye"[J]. Journal of Shandong Youth University for Political Sciences, 2019, 35(01): 113-116.

Research Bureau of Chinese Academy of Social Sciences. Summary of Academic Papers of Chinese Academy of Social Sciences 1992 [M]. Beijing: Social Sciences Archives Press. 1997: 232.

Wu Yan. On Inner Mongolia's Indigenous Cultural Resources and the Construction of Cultural Regions[J]. Inner Mongolia Social Sciences (Chinese Edition), 2003 (05): 1-4.