Self-identity's Construction Process in The Moon and Sixpence from Lacan’s Theory of the Mirror

Abstract

In literature, the conflict between individual ideals and reality and the complexity of human nature are frequently discussed themes. Thus, in The Moon and Sixpence, the themes of life and humanity echo the core ideas of modernist literature. In the story, Strickland ditches his wife and children and travels to the South Pacific island of Tahiti to pursue his artistic dreams. Despite his poverty and illness, he did not care, regretting that he had not started making art sooner. Through Strickland’s artistic pursuits, the novel presents the contradictions between genius, personality, material civilization, modern marriage and family life, and a profound exploration of the meaning of life and the value of art. However, an in-depth study of the work reveals that the author spends much space elaborating on three significant female characters in Strickland’s life. This elaborate layout is not random but cleverly combined with French psychologist Jacques Lacan’s Theory of the Mirror, aiming to reflect his deep understanding and subtle changes in self-identity at different stages of life through the shaping and evolution of these female roles. Based on this observation, this study aims to explore the gradual maturity and deepening of Strickland’s self-identity view in his life journey from the perspective of the women around him. Through a detailed analysis of the complex relationship between these female characters and Strickland, the author hopes to reveal the dynamic changes in his inner world and his continuous pursuit of art and understanding of life. At the same time, this study also provides a new perspective for readers to re-examine and understand this classic work’s profound connotation and humanistic value.