On the Dual Narrative Space of the Film "Assassin in Red"
DOI:
https://doi.org/10.54691/bcpssh.v22i.5340Keywords:
Assassinating a Novelist; Heterotopia; Spatial Narrative.Abstract
The construction of the story world in movies is mainly achieved through the expressive function of space. In the movie "Assassin in Red", the dual narrative space of surrealism creates a fantasy aesthetic intertwined with reality and the alien world. The two narrative spaces are full of connections and interactions, greatly breaking through the audience's life experience and aesthetic cognition, becoming a quite eye-catching presence during the Spring Festival period. This article will focus on exploring the parallel world of the movie "Assassination of the Novelist", where the vertical Chongqing mountain city structure in the real space serves as a metaphor for power and class, and the closed imperial capital space has a utopian illusion function, making the novel world a reflexive reflection on the real world, and the real world a reference for the novel world. By interpreting the dual space, we will better explore the inspiration this film brings to our society.
Downloads
References
Xianjia. Analysis of Chongqing's Film Space Production since the 21st Century through Differential Space Image Production [J]. Journal of Beijing Film Academy, 2021 (08): 121-128.
Lu Jing. On Closed Space in Modern Films [J]. Journal of Harbin University, 2013 (01): 91-96.
Jiang Dongsheng. Utopia, Utopia, and Utopia: The Narrative Space and Cultural Imagination of "The Number One Player". New Film, 2018.