The Interest of Art Language in Inner Mongolian Ethnic Films and Televisions

Authors

  • Xiangdong Zhou

DOI:

https://doi.org/10.54691/fhss.v3i2.3867

Keywords:

Inner Mongolian Ethnic Films; Ethnic Films; Film Art.

Abstract

When look around, whether it is the western Hollywood commercial films or the eastern ethnic films, the pursuit of visual effects has become a belief in the process of filmmaking. Since the first minority film of new China, "The Victory of the Inner Mongolian People", won the screenwriting award at the 7th Karlovy Vary International Film Festival in Czech Republic, Inner Mongolian ethnic films have started to win awards in various international festivals. This paper first analyzes the use of art language in Inner Mongolian ethnic films, and then discusses its development difficulties and countermeasures.

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References

Li Shurong. The Value of "Connecting with National Pulse" -- Inner Mongolia Ethnic Films' Ideological Tendency and Cultural Appeal in the past 70 years [J]. Contemporary Television, 2017 (12):101-103.

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Rao Shuguang. Celebration of life - movie "frontal ji" perception [J]. Contemporary films, 2010 (6) : 20-21.

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Pu Jian. Talent Shortage of Chinese film Industry and countermeasures [J]. Modern Communication (Journal of Communication University of China), 2016, 38 (07) :151-155.

Xing Fei. Discussion on the Definition of Ethnic Minority Films in China [J]. Chinese Culture Forum, 2016 (10) :167-171.

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Published

2023-02-20

Issue

Section

Articles

How to Cite

Zhou, X. (2023). The Interest of Art Language in Inner Mongolian Ethnic Films and Televisions. Frontiers in Humanities and Social Sciences, 3(2), 24-27. https://doi.org/10.54691/fhss.v3i2.3867