The Analysis of the Thirdspace of the Glass Menagerie

Authors

  • Deng Yun

DOI:

https://doi.org/10.54691/q20tgh27

Keywords:

Tennessee Williams; The Glass Menagerie; Thirdspace; American Southern culture.

Abstract

The Glass Menagerie, a masterpiece by Tennessee Williams, depicts the life of the lower middle class from the South, who came to the North for a living in the context of the Great Depression. The Southern women, Amanda and Laura, portrayed by Tennessee Williams in The Glass Menagerie, embody the Southern ladies' escape from the cruel reality and their remembrance and nostalgia for the Southern society and tradition. This article employs Edward W. Soja's perspective of Thirdspace, to analyze the decline of traditional Southern culture in The Glass Menagerie and Laura 's awakening as a new generation of southern women who tried to build spiritual sanctuary in the hybridity of North and South American culture.

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References

[1] Kataria, Gulshan Rai. The Faces of eve: a study of Tennessee Williams’s heroines (Sterling Publishers, New Delhi, 1992).

[2] Cardullo, Bert: The Blue Rose of St. Louis: Laura, Romanticism, and “The Glass Menagerie”. The Tennessee Williams Annual Review 1 (1998): 81-92.

[3] Li Li: Sad song of unhappy mother and daughter: Analyzing the theme of The Glass Menagerie with feminist theory. Journal of Sichuan Foreign Languages University 01(2003):44-46+50.

[4] Du Yanchun, and Li Yunmi: The Decline of a Southern lady in Tennessee Williams’ play. Journal of Shanxi Datong University (Social Science Edition) 30.06(2016):65-68.

[5] Soja, Edward W: "Thirdspace: Journeys to Los Angeles and other real-and-imagined places." Capital & Class 22.1 (1998): 137-139.

[6] Williams Tennessee: The Glass Menagerie (New Directions Publishing, New York, 2014), p.37, 56, 98.

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Published

2024-10-16

Issue

Section

Articles

How to Cite

Yun, D. (2024). The Analysis of the Thirdspace of the Glass Menagerie. Frontiers in Humanities and Social Sciences, 4(10), 251-255. https://doi.org/10.54691/q20tgh27