Gendered Reflection of Motherhood Violence
An Intertextual Analysis of Cold Night and Rose Gate
DOI:
https://doi.org/10.54691/g2ttt577Keywords:
Cold Night; Rose Gate; motherhood violence; patriarchy.Abstract
Wang Mu in Ba Jin's 1940s novel Cold Night and Si Yiwen in Tie Ning's 1980s work Rose Gate serve as emblematic portrayals of mothers in contemporary Chinese literature, creating a reflective dialogue that encompasses four decades of literary history. Wang Mu is depicted as a nurturing mother adhering to conventional ethical standards, while Si Yiwen is characterized as a malevolent mother who transgresses the limits of human morality. Despite exhibiting moral polarity, both characters experience the oppression of parenting under patriarchy. The author's work elucidates the estrangement of gender power within motherhood while enhancing critical discourse on literature and advancing the field of motherhood studies.
Downloads
References
[1] Rich, A. (2021). Of woman born: Motherhood as experience and institution. WW Norton & Company, New York.
[2] Chen, B. (2002). Foucault’s view of power. Journal of Xiamen University: Philosophy and Social Sciences Edition, 4: 84–90.
[3] De Beauvoir, S. (1956). The Second Sex. Lowe and Brydone, London.
[4] Liu, R. (2024). "Tamed Body" and "Awakened Soul"-Women's Body Politics and the Construction of Subjectivity in The Painted Veil. World Literature Studies, 12: 62-67.
[5] Ba, J. (1986). Cold Night. People's Literature Publishing House, Beijing.
[6] Guo, Y. (2014). On the theme of estrangement in Ba Jin’s novel Cold Nights. Journal of Henan Normal University: Philosophy and Social Sciences Edition, 3: 162–165.
[7] Liu, H. (1992). The dilemma of women under multiple constraints: A feminist critique of Ba Jin’s Cold Nights. Modern Chinese Literature Studies Series, 3: 107–115.
[8] Kristeva, J. (2001). Powers of horror: An essay on abjection. (Zhang Xinmu, Trans.). SDX Joint Publishing Company, Beijing.
[9] Jia, N. (2024). Deconstructing the Myth of Motherhood-The View of Motherhood in "Rose Gate." World Literature Studies, 12:68-77.
[10] Tie, N. (2009). Rose Gate. China Writers Publishing House, Beijing.
[11] Chen, S. (2002). Destruction within dual conflicts: An interpretation of Wang Wenxuan’s symptoms in Cold Nights. Literary Review, 2: 124–129.
[12] Ai, Y. (1989). Taking femininity to the extreme: On the character of Si Yiwen in The Rose Gate. Contemporary Writers Review, 6: 62–68.
[13] Huang, Y. (1998). A charming yet hideous poppy: On the character of Si Yiwen in The Rose Gate. Journal of Zhengzhou University: Philosophy and Social Sciences Edition, 2: 87–90.
[14] Liang, J. (1999). Searching for the true self in women’s experiential world: A feminist reading of The Rose Gate. Journal of Jiangxi Normal University: Philosophy and Social Sciences Edition, 1: 78–82.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Scientific Journal Of Humanities and Social Sciences

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.





