Urban Space, War, and the "Legend" of Women: A Study on Spatial Politics and Female Survival Strategies in Love in a Fallen City

Authors

  • Kejie Chen Lingnan Normal University, Foshan, 528237, China

DOI:

https://doi.org/10.54691/1jj7j897

Keywords:

Spatial Politics; Women's Survival Strategies; War Narratives; Urban Space;

Abstract

The tension between the "legendary" reputation of *Love in a Fallen City* and its "anti-legendary" reality has long been a focal point in academic research. Centered on spatial politics, this article explores the interplay among urban space, wartime violence, and women's survival strategies. Before the war, the feudal ethics of Bai Gongguan and the colonial desires of Shallow Water Bay formed mechanisms of discipline, while Hong Kong's occupation reconfigured spatial order. Within this transformation, Bai Liusu develops a survival strategy encompassing bodily management, emotional control, spatial mobility, and timing. The story of "Love in a fallen city" is not a triumph of romantic love, but rather a pragmatic narrative of self-preservation by a divorced woman navigating dual crises through careful negotiation and compromise.

Downloads

Download data is not yet available.

References

[1] Ai, X. M. (1996). Anti-legend: Re-reading Zhang Ailing's "Love in a fallen city". Academic Research, (9), 81–86.

[2] Yang, X. L. (2004). Strength behind fragility: An analysis of the female protagonist Bai Liusu in "Love in a fallen city". Social Sciences Review, (4), 111–112. https://doi.org/10.16745/j.cnki.cn62-1110/c.2004.04.057

[3] Fujii, S., & Lin, M. J. (2019). Transformation of the female protagonist: From "The wandering" to "Love in a fallen city"—With reference to Shaw’s literary influence. Journal of Nanjing University (Philosophy, Humanities and Social Sciences), 56(2), 75–86.

[4] Liu, C. B. (2016). On the tragic love story of "Love in a fallen city" from a feminist perspective. Modern Chinese Language (Academic Comprehensive Edition), (5), 32–33.

[5] Li, O. F. (2001). Shanghai modernity: A new urban culture in China (1930–1945). Peking University Press.

[6] Chen, S. H. (2004). The folk world within the city: "Love in a fallen city". Journal of Hangzhou Normal University (Social Sciences Edition), (4), 20–32.

[7] Kuang, K. Y. (2007). The "opposition" between Shanghai and Hong Kong—Reading "The girl of the times," "Love in a fallen city," and "Love and passion in Hong Kong". Collection of Studies on Modern Chinese Literature, (4), 236–259. https://doi.org/10.16287/j.cnki.cn11-2589/i.2007.04.015

[8] Zhai, M. L. (2019). Character and plot analysis of "Love in a fallen city". Chinese Characters Culture, (7), 46–47. https://doi.org/10.14014/j.cnki.cn11-2597/g2.2019.07.024

[9] Dong, X. P. (2019). Zhang Ailing’s novels and psychological realism writing [Doctoral dissertation]. Jilin University.

[10] Wang, Y. (2010). Cultural analysis of the linguistic artistry in Zhang Ailing’s "Love in a fallen city". Novel Review, (2), 72–75.

[11] Peng, C. Y. (2003). In-depth artistic depiction of women’s psychology in love and marriage: A comparative study of Zhang Ailing’s "Love in a fallen city" and Margaret Mitchell’s "Gone with the wind". Hunan Social Sciences, (4), 140–141.

[12] Sun, S. Y. (2007). "Non-territorial space" and nostalgic politics: The Shanghai imagination in post-1997 Hong Kong cinema. Literary Research, (11), 32–38+182.

[13] Zhong, J. (2014). Space, power, and cultural transformation: A study of People’s Square culture in Shanghai [Doctoral dissertation]. East China Normal University.

Downloads

Published

2026-10-12

Issue

Section

Articles