The Feldman-ness in Rothko Chapel: Context, Emphasis, and Meaning

Authors

  • Chen Shen

DOI:

https://doi.org/10.54691/bcpep.v7i.2644

Keywords:

Rothko Chapel; Morton Feldman.

Abstract

Rothko Chapel is Morton Feldman's most distinctive piece. The processes of musical development in this work also deviate from traditional Feldman. Contrary to the emphasis on the uniqueness of Rothko Chapel that several scholars have explored. Firstly, this paper provides a detailed account of Feldman’s oeuvre and its analytical difficulties, followed by an overview of existing approaches to the analysis of Rothko Chapel. And finally, this paper selected fragments from Rothko Chapel and analyzed the compositional techniques of Rothko Chapel and its Feldman-ness.

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References

Dora A. Hanninen, “Feldman, Analysis, Experience,” Twentieth-Century Music 2, no.1 (2004): 225-251.

Thomas DeLio, “Last Pieces #3 (1959),” in The Music of Morton Feldman, ed. Thomas DeLio (Westport: Greenwood Press, 1996), 66-67.

John P. Welsh, “Projection 1 (1950),” in The Music of Morton Feldman, ed. Thomas DeLio (Westport: Greenwood Press, 1996), 21-35.

Jeremy Tatar, “Measuring Time in Morton Feldman’s Late Music–Jeremy Tatar (MTSMA 2020),” YouTube Video, July 3, 2020, https://www.youtube.com/watch?v=MpSYlCIw6KM.

Michael Hamman, “Three Clarinets, Cello, and Piano (1971),” in The Music of Morton Feldman, ed. Thomas DeLio (Westport: Greenwood Press, 1996), 71-95.

Paula Kopstick Ames, “Piano (1977),” in The Music of Morton Feldman, ed. Thomas DeLio (Westport: Greenwood Press, 1996), 101.

Robert Morris, “Some Notes on the Phenomenology of Making: The Search for the Motivated,” Artforum VIII (1970), 62-66.

Orit Hilewicz, “Tracing Space in Time: Morton Feldman’s Rothko Chapel,” in Time and Trace: Multidisciplinary Investigations of Temporality (Brill, 2016), 83.

Steven Johnson, “Rothko Chapel and Rothko’s Chapel,” Perspectives of New Music 32, no.2 (1994): 7.

Morton Feldman, Give My Regards to Eighth Street: Collected Writings of Morton Feldman, ed. B. H. Friedman (Cambridge: Exact Change, 2000), 126.

Alex Ross, “American Sublime,” The New Yorker, June 2006, 84-88.

Catherine Costello Hirata, “The Sounds of the Sounds Themselves: Analyzing the Early Music of Morton Feldman,” Perspectives of New Music 34, no.1 (1996): 6-27.

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Published

2022-11-07

How to Cite

Shen, C. (2022). The Feldman-ness in Rothko Chapel: Context, Emphasis, and Meaning. BCP Education & Psychology, 7, 261-271. https://doi.org/10.54691/bcpep.v7i.2644