Research on the creative development path of new mainstream films from the perspective of realism

Authors

  • Yanyan Duan

DOI:

https://doi.org/10.54691/f3003g89

Keywords:

New mainstream film; Realism; Authoring path.

Abstract

With the continuous development of society, the emergence of new mainstream films has broken the creation mode of previous main theme films. The concept of The Times, the mainstream ideology, the new narrative characteristics, the authenticity and universality of the characters in the new mainstream movies have narrowed the distance between the film and the audience, and are easier to be accepted by the audience. How the new mainstream film develops in the current realistic theme has become the key point of research. This paper attempts to explore from three aspects: film theme, narrative mode and character image.

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References

Chen Xuguang. The "spatial production" and cultural consumption of New mainstream Films in China [J]. Journal of Beijing Film Academy, 2021(04) : 4-13.

Wang Xianping. Industry and Genre: the transformation strategy of theme film [J]. Journal of Shanghai Normal University (Philosophy and Social Sciences Edition), 2007(05):94-99.

Sun Jiashan. An analysis of some theoretical misunderstandings of current film criticism [J]. Chinese Literature and Art Review, 2019,50 (11):93-103.

Hu Zhi-feng, Chen Yin. Building the theoretical System of Chinese film and Television in the New Era: A review of the academic views of Chinese main theme film and television field since the 19th National Congress of the Communist Party of China [J]. Friends of the Editor, 2022(04):103-111.

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Published

2024-01-23

Issue

Section

Articles

How to Cite

Duan, Y. (2024). Research on the creative development path of new mainstream films from the perspective of realism. Frontiers in Humanities and Social Sciences, 4(1), 8-14. https://doi.org/10.54691/f3003g89