To Defeat “Blue Devils”: the Intertextual Study of The Glass Menagerie and The Night of Iguana

Authors

  • Xiaolan Li

DOI:

https://doi.org/10.54691/611cvp30

Keywords:

Tennessee Williams, The Glass Menagerie, The Night of Iguana, intertextuality.

Abstract

Tennessee Williams was an American 20th-century Southern dramatist. The Glass Menagerie and The Night of Iguana are two of his well-known plays, which explore how people can find help and hope in the illusion of life in order to return to reality and regain freedom. Based on the theory of intertextuality, this paper explores the themes of escape and salvation between the two plays to reveal the intrinsic connection between them.

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References

C.E. Bressler: Literary Criticism: An Introduction to Theory and Practice. 3nd ed. (Pearson Education and Higher Education Press, America 2003).

Information on: https://literariness.org/

L. Li:The Heterogeneous Space in The Night of the Iguana,Journal of Huaqiao University (Philosophy & Social Sciences), Vol. 30 (2012) No.3, p.114-120.

X. Xiao: A Transtextual Approach to the Glass Menagerie, (MS., Xi’an International Studies University, China 2011), p. 35.

J. Xu: Living in the Past: Two Typical Figures of Southern Women Created by Tennessee Williams, Journal of Beijing University of Posts and Telecommunications, Vol. 2 (2000) No. 4, p.38-40.

S. Y. ZhouGui: The Female Discourse and Allegorical Narrative in the Night of the Iguana, Drama Literature, Vol. 46 (2023) No.7, p.96-100.

T. Williams: The Night of the Iguana, (New Directions, America 2009).

T. Williams: The Glass Menagerie, (New Directions, America 1999).

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Published

2024-04-27

Issue

Section

Articles

How to Cite

Li, X. (2024). To Defeat “Blue Devils”: the Intertextual Study of The Glass Menagerie and The Night of Iguana. Frontiers in Humanities and Social Sciences, 4(4), 168-172. https://doi.org/10.54691/611cvp30