On the Influence of Islamic Culture on Chinese Porcelain in the Ming Dynasty
DOI:
https://doi.org/10.54691/kx7he335Keywords:
Islamic culture, porcelain, China, the Ming Dynasty.Abstract
The Ming Dynasty saw Chinese porcelain profoundly influenced by Islamic culture, particularly in motifs, forms and colors. Imperial kilns at Jingdezhen incorporated Islamic-inspired designs, such as geometric patterns and Persian or Arabic inscriptions, to cater to both domestic and Islamic needs, reflecting the vigorous Sino-Islamic cultural exchange in this period. Folk kilns, initially focused on practicality of wares, adopted Islamic styles gradually as trade flourished. This cross-cultural exchange enriched Chinese ceramics, blending traditions and fostering innovation that underscored the enduring impact of Islamic aesthetics on Ming porcelain.
Downloads
References
[1] T. Tan: On the Origin of Islamic Culture Reflected in Blue and White Porcelain in the Ming Dynasty, Journal of Northwest University for Nationalities (Philosophy and Social Science Edition), (2008) No.5, p.53-59.
[2] W. Liu: Imperial Porcelain Influenced by Islamic Culture in Zhengde Period, Journal of the Palace Museum, (2010) No.2, p.86-101, p.158-159.
[3] N. Darvishi, S. Narimani: The Symbolic Role of Tulip and Pomegranate Flowers in the Tiling Art of Iran and Ottoman Turkey, Journal of Art and Civilization of the Orient, Vol. 10 (2022) No.35, p.23-28.
[4] L. ZHAO, The Characteristics of Islam-Based on the Blue-and-white Porcelain during the Period of Yongle and Xuande in the Ming Dynasty, Proceedings of the 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016) (Xiamen, China, 2016), Vol. 1 (2017), p. 734-736.
[5] J.D. Frankel: Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-White Porcelain, Orientations, Vol. 49 (2018) No.2, p.84-89.
[6] M. Ali, F. Batool, R. Rahat, et al.: Sapphire Stories: The Symbolic Representation of Blue Motifs in Islamic Architecture of Pakistan, Journal of Humanities, Social and Management Sciences (JHSMS), Vol. 5 (2024) No.1, p.122-134.
[7] Li Shuyi: Enlightening Elegance: Imperial Porcelain of the Mid to Late Ming--the Huaihaitang Collection (The Chinese University of Hong Kong Press, Hong Kong 2012), p.33.
[8] J.J. Han: Comparative Research of Blue and White Porcelain from the Official and Folk Kiln in the Early Period of Ming Dynasty (MS., Jingdezhen Ceramic Institute, China 2012), p.19.
[9] L.L. Fang: Folk Kiln in Jingdezhen (People‘s Fine Arts Publishing House, China 2002), p.65-85.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.