Local Memory and Modernity Criticism in Xiao Hong's Tales of Hulan River: An Exploration of Feminine Writing from the Perspective of Regional Culture

Lanxin  Guo

doi:10.54691/rkajf643

Authors

Lanxin Guo

DOI:

https://doi.org/10.54691/rkajf643

Keywords:

Tales of Hulan River; Xiao Hong; feminine writing; regional culture; local memory.

Abstract

This article aims to delve into the local memories and modernity criticism embodied in Xiao Hong's "Tales of Hulan River" from a regional cultural perspective, with a particular focus on the unique value of feminine writing. Xiao Hong meticulously portrays the local customs and traditions along the Hulan River in Northeast China at the beginning of the 20th century. Through female characters, she reveals the living conditions of women in the rural society, gender inequality, as well as their pursuit of a better life and struggle against tragic destinies. "Tales of Hulan River" is not merely a retrospective of Xiao Hong's personal memories but also a profound reflection of the social realities of rural China. From a regional cultural perspective, this study analyzes the interplay between local memories and modernity criticism, emphasizing the significance of Xiao Hong's feminine perspective and gender consciousness manifested in her work.

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