Mirror Scanning of Inner Mongolia National Films Since the New Century
-- Personal Portrait, National Discourse and National Spirit
DOI:
https://doi.org/10.54691/fhss.v2i6.897Keywords:
Inner Mongolia; National Film; Mongolian Theme Film.Abstract
With the trend of economic globalization and under the background of China's film industry reform, Inner Mongolian films have ushered in a new transformation space since the new century. The focuses of Inner Mongolian films have gradually been to watch the local ethnic culture, describe the pains and anxieties brought about by social transformation, and pay attention to the spiritual world of human beings. Among the description of personal memory, the reappearance of national discourse and the examination of the depiction of national spirit, Inner Mongolian films have shown their own image characteristics, different national characteristics and colorful national customs, which make Inner Mongolia national films possess their own charm while presenting their local temperament.
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References
Zhou Xiangdong. The Evolution of Inner Mongolia's National Film Creation Art within 70 Years Since the Founding of the People’s Republic of China [J]. Movie Literature, 2019(22):13-17.
Chen Ying. The Impression of the Grassland in Childhood: An Analysis of the Children's Perspective in the Movie Heavenly Grassland [J]. Movie Review, 2009(14):35-36.
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Lin Lin. Ethnic Minority Films in the New Century and the Expression of "Chinese Stories" [J]. Studies of Ethnic Literature, 2019, 37(01): 74-81.
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