Reconstruction of Mythic Imagination, Modern Identity, and Cross-media Exploration

A Case Study of the Gods of Honour-Series Films of COLOROOM

Authors

  • Haoran Feng

DOI:

https://doi.org/10.54691/bcpssh.v18i.1159

Keywords:

COLOROOM, Gods of Honour-Series, Mythic Imagination, Cross-media Communication, Mirror Stage

Abstract

With the release of Legend of Deification, COLOROOM Pictures Company has made further progress in the construction of the Mythic Universe. Two films, NeZha: Birth of the Demon Child and Legend of Deification, have subversively rewritten and reconstructed the mythic imagination in China, combining the strengthening self-concept and reflection on the social survival dilemma, which is in line with the current social context and audience expectations. The film pays attention to the realistic portrayal, touches the nerves of the times, and arouses the audience's intense recognition with the slogan “I’m the master of my own destiny”. Their cross-media communication modes also make the two films a hit. However, the barriers and obstacles encountered in the communication are also worthy of reflection in the current domestic animated films.

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References

Sohu Entertainment. (2022, February 16). Interview with Yi Qiao, CEO of COLOROOM: Don’t be anxious after success and Nezha 2 is estimated to be released in four years. Retrieved from http://news.sohu.com/a/523055294_120107641.

McLuhan, M. (2000). Understanding Media: The Extensions of Man. Beijing: The Commercial Press, 46.

Wu, L. Y. (2021). Inner landscape and mutual construction: the reception aesthetics of cinematic sound. Contemporary Cinema. (6), 169.

Thomas, F. & Johnston, O. (2011). The illusion of life: Disney animation (translated by Xu, M. & Xiao, L.). Beijing: China Youth Publishing House, 19.

Liu, W. (2006). Lacan’s theory of the mirror phase and self-construction. Academic Exchange, (07), 25.

Ma, Y. L. (2004). On subversion of the subject. Journal of Central China Normal University (Humanities and Social Science), (06), 51.

Jia, L. L. (1996). Film linguistics. Beijing: China Film Press, 12.

Chen, K. (2022). Analysis of dream poetics in animated films. Animation Research, 113.

This data is calculated after the twice key extension of Nezha on December 28, 2019.

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Published

2022-06-30

How to Cite

Feng, H. . (2022). Reconstruction of Mythic Imagination, Modern Identity, and Cross-media Exploration: A Case Study of the Gods of Honour-Series Films of COLOROOM. BCP Social Sciences & Humanities, 18, 540-545. https://doi.org/10.54691/bcpssh.v18i.1159