The Expression and Application of Nanniwan Spirit in Chinese Propaganda Posters

Jiahui Feng

doi:10.54691/bcpssh.v15i.355

Authors

Jiahui Feng

DOI:

https://doi.org/10.54691/bcpssh.v15i.355

Keywords:

Nanniwan Spirit; Red Posters; Graphic Design; Posters; Huawei.

Abstract

Showing the significance of Nanniwan spirit through red posters can be more powerful for the great rejuvenation of the Chinese nation. This paper sorts out the history and characteristics of the red posters, selects Huawei as the main body of the modern expression of the Nanniwan spirit, and makes multi-level design and interpretation on how to embody the Nanniwan spirit in the red posters.

Downloads

Download data is not yet available.

References

Xi Jinping. Xi jinping in literary and art work symposium speech [EB/OL]. http:// www. xinhuanet. com/ politics/ xxjxs/2019-03/04/c_1124191567.htm, 2019-03-04/2019-03-04.

Han Rongli. Carry forward the spirit of Nanniwan and build a modern and powerful country [J]. History of the Party (Part 2), 2020(09):54-56.

Sun Bing. Preventing chip shortages and accelerating "de-Americanization" Huawei launches the "Nanniwan Project" [J]. China Economic Weekly, 2020, 788(15): 64-65.

Kanat, S. (2019). "The Perceptions of Graphic Design Concept on Students Study on Graphic Design." Journal of Education and Training Studies 7 (5).

Li Yue. Graphic Study of Chinese Propaganda Paintings from 1949 to 1966 [D]. Yue Li. 1949-196, Iconological Research on Chinese Propaganda Posters [D]. Beijing Institute of Graphic Printing, 2019.

Da Zhixiang. Research on the Design of Contemporary Simple Style Public Welfare Posters[J]. Journal of Tongling University, 2014.101.

Song Jingjie. On the Educational Function of Painting Art [D]. Shanxi Normal University, 2018.

Fei Hongyu. Multi-dimension of visual expression of graphic design elements [J]. Decoration, 2009, 189 (1): 118-120.

Cheng Fanghui. Path and value of visual communication design in public welfare Projects [D]. Nanjing University of the Arts, 2018.

Cao Xiaonan. Aesthetic Experience Theory in Reception Aesthetics [D]. Soochow University, 2008.

Edited by Wang Jucai. Yan 'an Literature and Art Archive Yan 'an Art Volume 55 Yan 'an Art Cartoon 1[M]. Xi 'an: Taibai Literature and Art Publishing House, 2015.

Li Meixia. On the Image beauty and artistic Conception Beauty of Public Welfare Posters [J]. Decoration, 2006, (2): 86-87.

wu caiping. The embodiment of concise and comprehensive design expression in public welfare posters [J]. Journal of heihe university,2014,5(01):70-74.

Liu Mingfeng, Wang Yong. On the Significance of Symbolic Graphics in postmodern Poster application [J]. Decoration, 2011, 217(5): 141-142.

Chen Ailing. Research on the performance of rhythm and rhythm in graphic design of children's picture books [J]. Drama House,2020(28):163-164.

Pan Zhixian. Sense of rhythm: A necessary element of overall graphic Design [J]. Strait Science, 2010 (08): 18-19+24.

Liu Mingfeng, Wang Yong. On the Significance of symbolic Graphics in postmodern Poster application [J]. Decoration, 2011, 217(5): 141-142.

Dong Meihong. Analysis of Pictures and Characters in Visual Communication [J]. Decoration, 2009, 190 (2): 96-97.

Hui-Ping Lu, Jun-Hong Chen, Chang-Franw Lee, Supporting Creative Responses in Design Education, The Development and Application of The Graphic Design Composition Method, International Journal of Art & Design Education, v35 n1 p154-176 Feb 2016.

Liu Tian. On spatial art in Layout design [J]. Decoration, 2005, (5): 56-57.