Research on the Path of International Communication of Chinese Calligraphy in the Age of Digital Intelligence
DOI:
https://doi.org/10.54691/nvb07d09Keywords:
The Age of Digital Intelligence; Chinese Calligraphy; Oversea Communication; “5W” Model; Intercultural Communication.Abstract
Calligraphy, as a treasure of traditional Chinese culture, has a profound historical accumulation and cultural connotation in China. In the context of globalization today, Chinese calligraphy, as a carrier of Chinese character writing, has become a powerful entry point for China’s cultural exchange with the outside world. The overseas dissemination of Chinese calligraphy has significant value for enhancing the country’s cultural soft power. In the era of digital intelligence, the rapid development of artificial intelligence and big data has provided opportunities and challenges for the innovative dissemination of Chinese calligraphy. The overseas dissemination of Chinese calligraphy has also received increasing attention from the academic and artistic fields at home and abroad. In this context, conducting research on the dissemination path of Chinese calligraphy overseas is of great research value for enhancing the influence of Chinese civilization and promoting the internalization of Chinese culture through exchange and mutual learning. Based on this goal, this article first analyzes the value and research significance of Chinese calligraphy, and then establishes a research framework based on Harold Dwight Lasswell’s 5W communication theory and Edward T. Hall’s cross-cultural communication ideas, exploring new paths for the overseas dissemination of Chinese calligraphy in the digital age from multiple dimensions such as the subject, content, methods, audience, and effects of communication. Under the background of globalization, the overseas dissemination of Chinese calligraphy is showing a diversified development trend of digitization, popularization, sustainability, and innovation. Strengthening the construction of the main body of Chinese calligraphy overseas dissemination, optimizing dissemination content, expanding dissemination channels, and meeting the needs of precise audiences are effective strategies for achieving the globalization of Chinese culture through exchange and mutual learning.
Downloads
References
[1] Jin Meng, “A Study of The International Communication Modes of Chinese Calligraphy Culture,” Ph.D. dissertation, School of Chinese Painting and Calligraphy, China Academy of Art, 2022.
[2] Xu Hongming and Lu Na, “Calligraphy inheritance enters the era of intangible cultural heritage,” Art of China, 2009. [Online] http://art.china.cn/zixun/2009-10/21/content_3198877.htm.
[3] Zhou Bin and Li Shou-shi, “ Restoration: Practice and Reflection of International Communication of Chiese Calligraphy,” Modern Communication (Journal of Communication University of China), Vol.4, pp.15-22, 2021.
[4] Zhu Tianshu& Shi Fang, “History and Aesthetics: The International Spread of Chinese Calligraphy,” Guangming Network, 2023. [Online] https://epaper.gmw.cn/zhdsb/html/2023-11/08/nw.D1100 00zhdsb_20231108_1-18.htm.
[5] Zheng Rui, “Western Collections, Exhibitions and Studies of Chinese Calligraphy in the 20th Century,” Ph.D. dissertation, Zhejiang University, 2014.
[6] Yu Han and Zhou Jingjing, “The Path and Strategy of International Dissemination of Chinese Calligraphy,” People’s Tribune, Vol. 07, pp.120-122,2022.
[7] Harold Lasswell, “The Sturcture and Function of Social Communication,” Beijing: Communication University of China Press, 2013.
[8] Edward T. Hall & Mildred R. Hall, “Understanding Cultural Differences,” Yarmouth ME: Intercultural Press Inc,1990.
[9] EdwardT.Hall, “BeyondCulture,” NewYork:Anehor Books Editions, 1977.
[10] Zhou Bin and Li Shou-shi, “Restoration: Bridging the Cultural Gap in the Process of Cross cultural Communication,” Social Sciences Digest, Vol. 4, pp.118-120, 2021.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.




