Cross-Cultural Analysis of Postwar Adaptations of The Legend of the White Snake: A Comparison Between Japanese and Hong Kong Cinematic Representations

Abstract

This paper explores the cinematic interpretations of the traditional Chinese folk tale The Legend of the White Snake in two postwar films: The Bewitched Love of Madame White (Japan, 1956) and Madam White Snake (Hong Kong, 1962). While both adaptations draw from Feng Menglong’s 1624 version of the legend, the Japanese adaptation, influenced by Hayashi Fusao’s novel The Witchcraft of Madam White (1948), emphasizes Bai Niang’s intense and lustful love, symbolized through unique motifs such as a red scarf. In contrast, the Hong Kong version adheres more closely to the traditional tale, depicting Bai Niang as a virtuous, moral figure who symbolizes idealized love and loyalty, represented metaphorically by a twin-lotus flower. Through comparative analysis of character representation, cultural symbolism, and thematic variations, this study reveals the cultural and societal influences shaping these divergent portrayals of the white snake character.