Ritualistic Analysis of Liminality in Theatrical Performances

Abstract

With the development of social media and stage technology, an increasing number of people are attracted by theatrical performances. Originally used to analysis human interactions in a social setting, liminality can also provide insights in examining theatrical performances. By using liminality to analyse theatrical phenomenon, the dramatic effect and attraction of performance can be further revealed based on an anthropological mindset. This article will explain three kinds of liminality under the background of theatrical performance, and compare the three liminalities with the four elements of drama. Some famous drama and musical productions, such as Wo Tou Hui Guan, Dear Evan Hansen, and Secret Love in Peach Blossom Land, will be included as examples. This paper draws links between liminality and theatrical performance in an innovative way, and provides a peculiar perception concerning the connections between theatrical performance and anthropology. From the research, close connection and correspondence between the three kinds of liminality and four elements of drama can be found, leading to the fact that liminality plays an indispensable role in the influences of theatrical performances.